Sarah Maria Sun
Sarah Maria Sun is known as one of the foremost and most extraordinary performers in the contemporary music scene. In addition to numerous songs, operas and oratorios, her repertoire currently includes more than 800 compositions from the 20th and 21st centuries, including more than 300 world premieres. She has a close working relationship with a wide variety of composers, including Helmut Lachenmann, Heinz Holliger, Georg Friedrich Haas, Salvatore Sciarrino and Bernhard Lang, among many others. North German Radio (NDR) has dedicated portrait concerts to her in 2012, 2016 and 2018.
She regularly performs as a soloist in concert halls and festivals such as the Suntory Hall Tokyo, the Muziekgebow Amsterdam, the Elbphilharmonie Hamburg, the Tonhalle Zurich, the Auditorio National Madrid, the Berlin and Cologne Philharmonic, the Biennale Paris, Venice and Munich, the Arnold Schönberg Center Vienna and the festivals in Witten, Donaueschingen and Herrenhausen.
Her tremendous adaptability is demonstrated on a regular basis on the music-theater stage. She has appeared at the opera houses in Zurich, Basel, Dresden, Frankfurt, Munich, Dusseldorf, Stuttgart, Mannheim, Leipzig, Strasbourg, Luxembourg, Zagreb, and the Opéra Bastille and the Opéra Comique in Paris. She shows her skill for haunting theatrical and musical interpretation time and again in the depiction of complex female figures. In particular, the monodramas Yes I Will Yes by Dieter Schnebel (Elbphilharmonie Hamburg), Carlotas Zimmer by Arturo Fuentes with Klangforum Wien (Klangspuren Schwaz), Lohengrin by Salvatore Sciarrino (Salzburg Easter Festival), and Kolik by Jannik Giger, Leo Hoffmann and Benjamin von Bebber (Gare du Nord Basel) are especially noteworthy. For her role as Elsa in Sciarrino’s monodrama, she was nominated by Opernwelt in 2017 as singer of the year.
Sarah Maria Sun has performed with conductors such as Sir Simon Rattle, Kent Nagano, Thomas Hengelbrock, Susanna Mälkki, Peter Rundel, Heinz Holliger and more with the Leipzig Gewandhaus Orchestra, the Berlin Philharmonic, the North, Bavarian, South-West and West German Radio Orchestras, the Dresden Philharmonic, the Antwerp and Tokyo Symphony Orchestras and ensembles such as musikFabrik Köln, Ensemble Modern, Ensemble Mosaik, Ensemble Intercontemporain as well as the string quartets Diotima, Arditti, Minguet and Signum.
From 2007-2014, she was the first soprano of the Neue Vocalsolisten Stuttgart, a chamber ensemble of seven singers that has been one of the world’s leading pioneers of contemporary music for 30 years.
Sarah Maria Sun’s discography includes more than 30 CDs, some of which have been awarded prizes. In 2017, four of her six new releases were nominated for the Deutschen Schallplattenkritik prize.
Sarah Maria Sun studied singing in Cologne and Stuttgart and most importantly worked with Darinka Segota and Tanja Ariane Baumgartner. She regularly gives masterclasses for vocal music from the 20th and 21st centuries; for instance, at universities and conservatoires in Oslo, Harvard, Chicago, Stockholm, Zurich, Rostock, Moscow, Dresden, Hanover or Berlin.
During the season 2018/19, the singer will perform at Semperoper Dresden, Klangspuren Schwaz with Klangforum Wien, Resonant Bodies Festival New York, the Cervantino Festival Mexico, the Vienna Modern Festival, the Konzerthaus Dortmund and the International Hugo Wolf Academy Stuttgart.
Opera / Music theatre:
Ali N Askin The killer in me is the killer in you my love (Hanna; WP)
Alban Berg Lulu (Lulu)
Luciano Berio Passaggio (Sequenza III)
Leonard Bernstein Candide (Cunegonde), Trouble in Tahiti (Dinah), A quiet place (Dede), West Side Story (Maria)
Nicolaus Brass Ein Sommertag (Young woman; WP)
Peter Maxwell Davis Miss Donnithorne´s Maggot (Miss Donnithorne)
Peter Eötvös Der Goldene Drache (Young Chinese)
Arnulf Herrmann Wasser (Katja; WP)
Michael Hirsch, Elena Mendoza, J.M. Sanchez-Verdù Visiones Vicciones (4 Soprano parts)
Rolf Riehm Sirenen – Bilder des Begehrens und des Vernichtens (Sirene 1/mermaid 1)
Peter Ruzicka Hölderlin (Soprano I)
José-Maria Sanchez-Verdù Aura (Aura; WP)
Dieter Schnebel Yes I will (Molly Bloom; WP), Utopien (Soprano WP)
Arnold Schönberg Pierrot Lunnaire (Pierrot Lunnaire)
Salvatore Sciarrino Infinito Nero (Maria Maddalena)
Thomas Stiegler Prinzessin Ulla und die Schöne Lau (Princess Ulla)
Oscar Strasnoy Geschichte (Mother)
Johann Strauß Die Fledermaus (Adele)
Richard Strauss Der Rosenkavalier (Sophie)
Igor Stravinsky The Rake´s Progress (Anne Truelove)
Kurt Weill The Seven Deadly Sins (Anna), The Threepenny Opera (Polly, Jenny)
Jörg Widmann Das Gesicht im Spiegel (Patrizia)
Georges Aperghis Septes Crimes de l’amour, Cinq couplets, Contretemps, Le rire physiologique
Luciano Berio Laborynthus, Folk-Songs, Sinfonia, Air
Pierre Boulez Pli selon Pli
Nikolaus Brass Sommertag (WP), Der Goldene Steig (WP), Stimme und Tod (WP)
Benjamin Britten Folksongs, Cabaret-Songs
John Cage Forever and sunsmell, The wonderful widow of eighteen springs
Unsuk Chin Akrostichon
Luigi Dallapiccola Divertimento
Hanns Eisler Palmström op. 5
Beat Furrer Fama
Gérard Grisey Quatre Chants pour franchir le seuil
Georg Friedrich Haas Atthis
Karl Amadeus Hartmann Friede anno 48
Hans-Werner Henze Being Beateous
Paul Hindemith Melancholie (WP), Marienleben
Heinz Holliger à plume éperdue (WP), Dämmerlicht, Increschantüm (WP), Adieu pour P.B. (UA), Grignan (WP)
Peter Kyburz still and again
Helmut Lachenmann Got Lost
Bernhard Lang Cold Trip I (WP), Songbook II (WP), Hermetica V (WP)
György Ligeti Aventures, Nouvelles Aventures, Der Sommer
Bruno Mantovani Cantata
Peter Maxwell-Davis Miss Donnithorne´s Maggot, The Telephone
Olivier Messiaen Harawi
Isabel Mundry Vogelherd (WP)
Sarah Nemtsov TOV (WP)
Luigi Nono Canti di Vita e d´amore, La Fabbrica Illuminata
Samir Odeh-Tamimi Namì
Matthias Pintscher Lieder und Schneebilder
Alberto Posadas La tentación de las sombras (WP)
Aribert Reimann Ni una sombra
Rolf Riehm Der Asra
Wolfgang Rihm Ophelia Sings
Peter Ruzicka Streichquartett VI, Mnemosyne (WP)
José-Maria Sanchez-Verdù Gramma, Atlas (WP)
Salvatore Sciarrino Due Melodie, Canto degli specchi, Lohengrin
Johannes Schöllhorn Pierrot Lunnaire, Damenstimmen, strong>, Va…
Arnold Schönberg Streichquartett II, Das Buch der hängenden Gärten op.15, Cabaret-Songs, Erwartung, Herzgewächse
Claude Vivier Ojikawa, Hymnen an die Nacht, Hierophanie
Jörg Widmann Versuch über die Fuge
21 June 2019, 22:00, Württembergisches Kammerorchester Heilbronn, BUGA Sparkassenbühne
Programme: Felix Mendelssohn Bartholdy Sommernachtstraum op. 61
Cast: Württembergisches Kammerorchester, Case Scaglione (conductor), Damenchor Vokalensemble & Bach-Chor Kilianskirche Heilbronn, Stefan Skobowsky (choir conductor), Hannes Hellmann (speaker), Sarah Maria Sun (soprano), Hasti Molavian (mezzo soprano)
27 July 2019, 16:00, Sommerliche Musiktage Hitzacker, Verdo Konzertsaal
Aribert Reimann, Theodor Kirchner Die Schönen Augen der Frühlingsnacht for soprano and string quartet
Aribert Reimann Ollea for solo-soprano
Arnold Schönberg Streichquartett II
Cast: Kuss Quartett, Sarah Maria Sun (soprano)
3/4 September 2019, 19:30, Musikfest Arsonore, Schloss Eggenberg
Thomas Augustine Arne The Morning
Works by Richard Strauss for soprano and piano
Cast: Marie Jacquot (conductor), Sarah Maria Sun (soprano), Markus Schirmer (piano), i. a.
7/9/10/13/15 September 2019, 19.00, Semperoper Dresden
Programme: Philip Venables 4.48 Psychose
Cast: project orchestra, Max Renne (conductor), Tobias Heyder (stage director), Stephan von Wedel (set and costumes), Marco Dietzel (lighting design), Benedikt Schulte (video), Juliane Schunke (dramaturgy), Karen Bandelow (Suzy), Grace Durham (Clare), Carolin Löffler (Lucy), Tahnee Niboro (Jen), Stepanka Pucalkova (Emily), Sarah Maria Sun (Gwen)
21 September 2019, 20:00, Beethovenfest, World Conference Center Bonn
Arnold Schönberg Pierrot lunaire
Kurt Weill Die sieben Todsünden
Cast: HK Gruber (conductor), Ensemble Modern, Amarcord, Sarah Maria Sun (soprano)
When New Music respectively „modern lied“ are achieved so skillfully and devotedly in various colours and languages, it of course indicates a passion of the interpreters, but it also raises the desire to open up to and confront oneself with it. (Dresdner Neue Nachrichten, 11 June 2017)
The two artists had the idea to this project during breakfast after their first concert together. The accomplished vocal artist of contemporary music Sarah Maria Sun and the experienced pianist Jan Philip Schulze wanted to develop a programme presenting the most extraordinary contemporary lied masterworks. It aimed to be beautiful and at the same time challenging for the artists.
This idea resulted in the vocal programme modern lied, which combines all these aspects and presents an enormous range of composers, such as Heinz Holliger, Salvatore Sciarrino, Helmut Lachenmann, György Kurtág, Wolfgang Rihm, Bernhard Lang, and Georges Asperghis. The release concert of the recently published CD modern lied took place at the Semperoper Dresden in June 2017.
Sarah Maria Sun (Soprano)
Jan Philip Schulze (piano)
Heinz Holliger – Sechs Lieder nach Christian Morgenstern (1952-1953)
Salvatore Sciarrino – Zwei Melodien (1978)
Helmut Lachenmann – Got Lost (2007/08)
György Kurtág – Requiem für den Geliebten, op. 26 (1982-1987)
Wolfgang Rihm – Ophelia Sings (2012)
Bernhard Lang – Wenn die Landschaft aufhört (2015)
Soprano Sarah Maria Sun shines with the Deutsche Kammerphilharmonie Bremen at the Elbphilharmonie
(…) With the swaying certainty and elegance of an equilibrist, the singer – with a pink-coloured skirt and a black top also an optical sensation – masters the vocal acrobatics of the piece. Ruzicka leads the voice in his Hölderin-score for soprano, 18 strings and percussion with far reaching steps to dizzying heights. However with Sarah Maria Sun it never sounded like cold sweat and exhausting exercises, but always wonderful, simple and effortless. With a clear, bright sound she repealed the laws of musical gravity and breezed up to the three-line octave, only to shortly after descend into the warm chest register and eloquently explore the poetic charm of Hölderlin’s works.
Hamburger Abendblatt, 8 May 2017
Sturminger, who had recently and on short notice been entrusted with the new production of “Jedermanns” at the Salzburger Festspiele, shows a monologue of a schizophrenic. In a posh loft with sea view a woman quietly talks, either as Elsa or – hat on – as Lohengrin. This is the result of someone carried away, disappointed and isolated. And Sarah Maria Sun masters the grand art to not once drift into a pathological cliché. A virtuoso of pianissimo, whose quick eruptions turn into pinprick-attacks.
merkur.de, 11 April 2017
Sarah Maria Sun has good reasons to laugh. The soprano is one of the shooting stars of modern music. It even happens that she is described as a “high-performance soprano”: Sarah Maria Sun, coloratura soprano and long-standing first soprano of the Neue Vocalsolisten Stuttgart, is worldwide in great demand as interpreter of contemporary music.
ndr.de, 10 May 2016
[…] the extraordinarily expressive soprano Sarah Maria Sun. […] Sun’s voice ranged from a stratospheric pianissimo to a guttural growl that sounded as if all the evils in the universe were pouring from her throat.
The Guardian, 24 November 2013